Kaja Silverman / Harun Farocki. Von Godard sprechen. Schriften.
Band 2


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n.b.k. Discourse Vol. 11 – Kaja Silveman / Harun Farocki. Von Godard sprechen. Schriften. Band 2

Edited by Doreen Mende. With a preface by Hanns Zischler and an epilogue by Doreen Mende.

256 pages, with illustrations, soft cover, German, 19.80 Euro / 15.00 Euro (members), Verlag der Buchhandlung Walther König, Cologne 2017, ISBN 978-3-96098-224-1


Part of the edition:
Harun Farocki. Schriften.
Edited by Marius Babias, Antje Ehmann, Tom Holert, Doreen Mende, Volker Pantenburg

Speaking about Godard presents conversations between Harun Farocki and Kaja Silverman about eight selected films by Godard – Vivre sa vie (1962); Le Mépris (1963); Alphaville, une étrange aventure de Lemmy Caution (1965); Week-end (1967); Le Gai savoir (1968); Numéro deux (1975); Passion (1981) and Nouvelle vague (1990). Farocki and Silverman held their debates in the mid-1990s in English, between Berlin and Berkeley, and published their book in 1998 both in the original and in German, translated by Roger M. Buergel. Eight chapters, corresponding to the number of films discussed, provide an insight into Farocki’s and Silverman’s view of Godard’s work, individual scenes are retold meticulously and analyzed structurally, visual and linguistic research converge. The German re-publication includes the preface of the 1998 German edition by Hanns Zischler as well as a postscript by the publisher Doreen Mende.

Harun Farocki (1944–2014) is one of the most important and internationally influential German filmmakers. His oeuvre comprises more than 100 films and productions: experimental and documentary films; essay, short and feature films. However, his complete works go far beyond this, he has also succeeded internationally as a video and installation artist as well as being a lecturer and media theorist.

Kaja Silverman (b. 1947) is a professor of contemporary art at the University of Pennsylvania in Philadelphia. She has taught at various universities in the USA and Canada, most recently, from 1991 to 2010, as a professor of rhetoric and film studies at the University of California, Berkeley. Her publications include
World Spectators (2000), Flesh of My Flesh (2009), The Miracle of Analogy, or The History of Photography, Part 1 (2015) und The Three-Personed Picture, or The History of Photography, Part 2 (in progress).

The publication is published on the occasion of the
Harun Farocki Retrospective, September 14, 2017 – January 28, 2018, initiated by Neuer Berliner Kunstverein in cooperation with Arsenal – Institute for Film and Video Art, the Harun Farocki Institute, Harun Farocki GbR, Silent Green Kulturquartier, Verlag der Buchhandlung Walther König and Savvy Contemporary as part of the Berlin Art Week, sponsored by the Berlin Senate Department for Culture.