Thursday, November 7, 2019, 2 pm
Artists’ Film International 2019: Gender

2 pm – 8 pm, Presentation at n.b.k. Video-Forum
Technologies of Gender


The Video-Forum of Neuer Berliner Kunstverein (n.b.k.) will screen the Artists’ Film International 2019 program from November 5th to 7th, 2019. This year’s focus is on the topic Gender. Artists’ Film International is a project initiated by Whitechapel Gallery in London and features artists working with film, video, and animation. The artists are recommended by international partner organizations and presented with selected works at participating art institutions. Participating institutions include Ballroom Marfa, Texas; Bonniers Konsthall, Stockholm; Cultural Centre of Belgrade; Fundación Proa, Buenos Aires; GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo; Hammer Museum, Los Angeles; Hanoi Doclab; Istanbul Modern; MAAT – Museu de Arte, Arquitetura e Tecnologia, Lisbon; Istanbul Modern; Museum of Modern Art, Warsaw; Neuer Berliner Kunstverein (n.b.k.); Para Site, Hong Kong; Project 88, Mumbai; Tromsø Center for Contemporary Art; Whitechapel Gallery, London; Center for Contemporary Art, Kabul; and KMW Art Center, Beijing.

The works presented at the the n.b.k. Video-Forum under the title
Gender have been grouped into three sub-categories: Gender in Transition, Gender and Tradition, and Technologies of Gender.

Thursday, November 7, 2019, 2–8 pm
Technologies of Gender

Angela Su,
The Afterlife of Rosy Leavers, 2016–2017, 14:35 min., selected by Para Site, Hong Kong
Nguyen Hai Yen,
Summer siesta: 6th hour counting from dawn, 2017, 13:22 min., selected by Hanoi DOCLAB
D’Ette Nogle,
Culturally Relevant Pedagogy (Teach Me How to Dougie), 2009, 1:06 min., selected by Hammer Museum, Los Angeles
Jacopo Miliani,
Deserto, 2017, 6:09 min., selected by GAMeC, Bergamo, Italy
Fannie Sosa,
I Need This in My Life, 2016, 7:23 min., selected by Fundación Proa, Buenos Aires
Marko Tirnanić,
Aversion to Activity / Eight of March, 2019, 4:50 min., selected by the Cultural Centre of Belgrade

The Afterlife of Rosy Leavers by Angela Su tells of a digital space, the story of a person whose consciousness has been moved into it, and of an act of gender violence in this place. In Summer siesta: 6th hour counting from dawn, by Nguyen Hai Yen, mirrors serve as a tool to present a meditation on the relationship between technology and family. In Culturally Relevant Pedagogy (Teach Me How to Dougie) by D’Ette Nogle, viewers witness a lesson on a hip-hop dance called the Dougie. Deserto by Jacopo Miliani is structured like a song with a recurring refrain and reflects how language can communicate multiple, queer identities. Fannie Sosa’s I Need This in My Life introduces the technology of transmitting deep bass frequencies as a cultural technique and explores the healing powers of sound. Aversion to Activity / Eight of March by Marko Tirnanić comments on the denial of performance as a means of resistance to social and gender expectations.