Thursday, March 8, 2012, 7 pm
With David Zink Yi (artist, Berlin/Lima) and Kathrin Becker (head of n.b.k. Video-Forum)
The exhibition of David Zink Yi (born 1973 in Lima/Peru) at the Neuer Berliner Kunstverein is premiering the video installation Horror Vacui (2009) in Berlin, as well as a new photographs from the series Twilight Images. The pictures, gelatin silver prints on baryta paper, show a public park in Havana at night. Different themes and areas of interest in Zink Yi’s work intersect in the portrait of Havana: the utopian visions of social revolutionaries, the stark reality of socialism, the cults and rites of the Afro-Cuban population. The black-and-white time exposures document a subtle play of light, a twilight heightened by the presentation in the exhibition space. The centerpiece of the exhibition at the Neuer Berliner Kunstverein as well as the artist’s book published with it is the two-channel video installation Horror Vacui. The work, which runs for two hours, documents rehearsals of the Latin band De Adentro y Afuera, founded by Zink Yi together with Cuban musicians, and combines these pictures with footage showing rituals rooted in Afro-Cuban culture: the three ceremonies known as Cajon, Tambor Batá, and Wiro from Palo Monte, an Afro-Cuban cult related to Santería and the religion of the Yoruba, which is practiced primarily in Nigeria and Benin and is at the root of a range of religious traditions in several countries of the Americas. By juxtaposing the band rehearsals and the ritual practices as equipollent elements in his video, Zink Yi examines the structural similarities between music-making and religious performance. Zink Yi’s Horror Vacui sheds light on practices that allow individual and collective identities to emerge outside of models that assert identity by means of aggressive oppositions. The artist highlights alternatives to restrictive notions of cultural identity built on relations of power and inferiority.