The early works of Vito Acconci (*1940 in New York, †2017 in New York) – which move fluidly between body art, performance, and installation – revolve around interpersonal interactions in the tension between the gaze and desire. His work explores shifting the boundaries between subject and object, artist and viewer, and private and public space. Through a process of rigorous self-analysis, the artist provocatively places himself, his body, and his voice on display.